Wednesday, May 21, 2008


Godard's visual style reaches a maturity in this film that invites and requires a patient indulgent viewing: epic vistas, strikingly contrasting compositions, sets so indulgent that they verge on the fanciful, takes so long that they verge on life-as-reality-instead-of-life-as-film. The plot moves slowly and indeterminately, luxuriating in speculation and only hinting toward closure for the most important dramatic questions and, conversely, mocking Hollywood conventions at almost every turn.